![]() ![]() In 2011, Columbia Legacy inaugurated Miles Davis: The Bootleg Series with Live in Europe 1967, a three-CD, one-DVD set of unreleased concerts by that very quintet consisting of Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams. ![]() For example, in reference to his “second great quintet” from the 1960s, Davis wrote: “I made six studio dates with this group in four years.… And there were some live recordings that I guess Columbia will release when they think they can make the most money - probably after I’m dead.” Miles Davis’s autobiography, published two years before his death in 1991, was many things: uncomfortably honest, acerbic, profane, and, yes, funny. Volume six of the “Bootleg Series” collects several concerts from the tour when Miles Davis and John Coltrane last played together live.
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![]() When I hear it too much, I let them know. Some of my fans, they run up to me, like, “YG, my nigga!” I’m like, "Bro, you gotta say my hitta, bro." Offstage, I be letting them know, especially with all the shit going on right now. When the song come on, I want you to sing that motherfucker. ![]() After a year of touring, do you give everyone in your crowd a pass to sing the hook? How they using it is why it’s so big-they’re using it on some regular every day shit. But for me to do it and put it on this platform, it’s bigger than some gang bang shit. That’s old back-in-the-day shit it ain’t new to anybody that’s been in the streets. Where I’m from-California, LA-that’s how niggas talk on the regular. Motherfuckers just want some new, different shit. All it did was let me know that I move the culture. Everybody started doing it like it was something cool to do. |
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